LLR Books

Rare 1920s Montauk Poster Up for Auction Friday


 

Poster estimated to go for between $12,000 and $18,000 at auction.


 


A rare poster of Montauk from the 1920s is expected to sell for $12,000 to $18,000 at a New York City auction on Friday.

Swann Auction Galleries said the poster capitalizes on F. Scott Fitzgerald's "The Jazz Age," to depict Carl Fisher's Montauk. The man who had developed Miami Beach focused in on Montauk started, in 1925, to create Miami of the north. His plan included a luxury hotel, The Montauk Manor, which still exists, golf courses and fox hunting.

The poster, which the gallery said dates from between 1929 and 1932, shows all Montauk has to offer, including The Manor. "It is an exceptional representation of the tail end of the Roaring Twenties," the gallery said on its website.

The poster has been restored with some painting and had some tears repaired.

The auction is set for Friday at 1:30 p.m.

City of Rockville celebrates F. Scott Fitzgerald this weekend


Annual literary festival honors ‘Great Gatsby’ author

by Cara Hedgepeth Staff writer

 On Saturday, Montgomery College will host the 17th annual F. Scott Fitzgerald Literary Festival. The one-day event featuring writing workshops, literary discussions and the presentation of the F. Scott Fitzgerald Outstanding Achievement in American Literature Award is sponsored by the college, the city of Rockville and the F. Scott Fitzgerald Literary Conference Inc.


“I don’t know that when we started we thought it would be going 17 years,” said Jackson Bryer, president of the conference.

The city of Rockville started the event in 1996 to honor what would have been the author’s 100th birthday. Fitzgerald, best known for his 1925 novel “The Great Gatsby,” had roots in Montgomery County and is buried at Saint Mary’s Church Cemetery in Rockville.

This year’s recipient of the Outstanding Achievement in American Literature Award is Pulitzer Prize-winning author Robert Olen Butler. Butler has written 14 novels and six books of short stories. His first volume of short stories, “A Good Scent from a Strange Mountain,” won the 1993 Pulitzer Prize for fiction.

This year’s festival will also feature the annual presentation of the short story contest winner as well as a screening of the 1949 and 1974 film versions of “The Great Gatsby,” followed by a panel discussion about the films in comparison to the 2013 Buz Lurhmann version.

Other authors will be in attendance Saturday, including R. Clifton Spargo who spent part of his childhood in Rockville and recently released the novel “Beautiful Fools: The Last Affair of Zelda and Scott Fitzgerald.” Spargo is a graduate of the Iowa Writers’ Workshop, a cultural critic for the Huffington Post and serves as the Provosts’ Postgraduate visiting writer in fiction in the department of English at the University of Iowa.

“Beautiful Fools” is the fictional account of Fitzgerald and Zelda’s real life trip to Cuba toward the end of their lives.

“The true part of the novel is the two take a trip to Cuba and not a lot is known about the trip,” Spargo said. “It was the last time they would see each other but there’s no way they would know that. It was the last chance at a great love.”

A Fitzgerald expert who’s taught the author’s work on the undergraduate and graduate level, Spargo counts the author as one of his first literary loves. He said as his interest in Fitzgerald grew over the years, so did his fascination with the woman in his life.

“As I grew in my love of Scott, I became just enthralled by Zelda,” Spargo said. “It had always struck me that there was this gaping hole at the end of their lives. This was an opportunity to tell that story that no one really knew ...”

Before writing the novel, Spargo read and re-read about 20 books on the Fitzgeralds. And although the author said he knows “their lives in and out as a biographer,” Spargo said it’s important to recognize the distinction between a biographer and his role as a novelist.

“A biography is an imperfect art,” Spargo said. “A biography captures famous scenes but it’s not really capturing what it’s like to be Scott or Zelda.”

In fact, according to Spargo, Fitzgerald himself wasn’t a fan of biographies, especially for writers because “[writers] are too many people.”

“I would like to think he would have more appreciation for the novel because it’s trying to capture the lived life,” Spargo said.

“Beautiful Fools,” which was released in May, is intended for the average reader with a surface knowledge of Fitzgerald’s life. Spargo said he’s interested in the reaction from the literary festival audience, many of whom are Fitzgerald experts.

“The average person knows a few things about Scott and Zelda so you’re writing to an audience that isn’t specialized in the knowledge,” Spargo said. “At the festival, there will be a mix, historians ... For the Fitzgerald experts, there’s all sorts of ways the book plays on things in [Fitzgerald and Zelda’s] lives and how they might have been remembering them.”

More than just Fitzgerald aficionados, Bryer said the festival is an opportunity for literature fans to gather.

“I think it brings literary figures to Rockville,” he said. “... It gives the citizens at all levels an opportunity to avail themselves of the expertise.”

F. Scott Fitzgerald's Gravesite Becomes Tourist Destination After Release Of 'Great Gatsby' Movie




The Washington Post reports that since the film The Great Gatsby’s, the book "Gatsby" is on Amazon's bestsellers list, it's also led to a surge in visitors coming by F. Scott and Zelda Fitzgerald's graves, in suburban Maryland. The Post notes that many visitors leave graveside offerings, including "flowers, spare change and liquor. Aspiring authors leave pens, and admirers occasionally write handwritten notes. A top hat, adorned with a martini glass ribbon, is the most recent addition."

Three Hours Between Planes



Esquire (July 1941)
It was a wild chance but Donald was in the mood, healthy and bored, with a sense of tiresome duty done. He was now rewarding himself. Maybe.
When the plane landed he stepped out into a mid-western summer night and headed for the isolated pueblo airport, conventionalized as an old red ‘railway depot’. He did not know whether she was alive, or living in this town, or what was her present name. With mounting excitement he looked through the phone book for her father who might be dead too, somewhere in these twenty years.
No. Judge Harmon Holmes — Hillside 3194.
A woman’s amused voice answered his inquiry for Miss Nancy Holmes.
‘Nancy is Mrs Walter Gifford now. Who is this?’
But Donald hung up without answering. He had found out what he wanted to know and had only three hours. He did not remember any Walter Gifford and there was another suspended moment while he scanned the phone book. She might have married out of town.
No. Walter Gifford — Hillside 1191. Blood flowed back into his fingertips.
‘Hello?’
‘Hello. Is Mrs Gifford there — this is an old friend of hers.’
‘This is Mrs Gifford.’
He remembered, or thought he remembered, the funny magic in the voice.
‘This is Donald Plant. I haven’t seen you since I was twelve years old.’
‘Oh-h-h!’ The note was utterly surprised, very polite, but he could distinguish in it neither joy nor certain recognition.
‘ — Donald!’ added the voice. This time there was something more in it than struggling memory.
‘ . . . when did you come back to town?’ Then cordially, ‘Where are you?’
‘I’m out at the airport — for just a few hours.’
‘Well, come up and see me.’
‘Sure you’re not just going to bed?’
‘Heavens, no!’ she exclaimed. ‘I was sitting here — having a highball by myself. Just tell your taxi man . . . ’
On his way Donald analysed the conversation. His words ‘at the airport’ established that he had retained his position in the upper bourgeoisie. Nancy’s aloneness might indicate that she had matured into an unattractive woman without friends. Her husband might be either away or in bed. And — because she was always ten years old in his dreams — the highball shocked him. But he adjusted himself with a smile — she was very close to thirty.
At the end of a curved drive he saw a dark-haired little beauty standing against the lighted door, a glass in her hand. Startled by her final materialization, Donald got out of the cab, saying:
‘Mrs Gifford?’
She turned on the porch light and stared at him, wide-eyed and tentative. A smile broke through the puzzled expression.
‘Donald — it is you — we all change so. Oh, this is remarkable!’
As they walked inside, their voices jingled the words ‘all these years’, and Donald felt a sinking in his stomach. This derived in part from a vision of their last meeting — when she rode past him on a bicycle, cutting him dead — and in part from fear lest they have nothing to say. It was like a college reunion — but there the failure to find the past was disguised by the hurried boisterous occasion. Aghast, he realized that this might be a long and empty hour. He plunged in desperately.
‘You always were a lovely person. But I’m a little shocked to find you as beautiful as you are.’
It worked. The immediate recognition of their changed state, the bold compliment, made them interesting strangers instead of fumbling childhood friends.
‘Have a highball?’ she asked. ‘No? Please don’t think I’ve become a secret drinker, but this was a blue night. I expected my husband but he wired he’d be two days longer. He’s very nice, Donald, and very attractive. Rather your type and colouring.’ She hesitated, ‘ — and I think he’s interested in someone in New York — and I don’t know.’
‘After seeing you it sounds impossible,’ he assured her. ‘I was married for six years, and there was a time I tortured myself that way. Then one day I just put jealousy out of my life forever. After my wife died I was very glad of that. It left a very rich memory — nothing marred or spoiled or hard to think over.’
She looked at him attentively, then sympathetically as he spoke.
‘I’m very sorry,’ she said. And after a proper moment,’ You’ve changed a lot. Turn your head. I remember father saying, “That boy has a brain."’
‘You probably argued against it.’
‘I was impressed. Up to then I thought everybody had a brain. That’s why it sticks in my mind.’
‘What else sticks in your mind?’ he asked smiling.
Suddenly Nancy got up and walked quickly a little away.
‘Ah, now,’ she reproached him. ‘That isn’t fair! I suppose I was a naughty girl.’
‘You were not,’ he said stoutly. ‘And I will have a drink now.’
As she poured it, her face still turned from him, he continued:
‘Do you think you were the only little girl who was ever kissed?’
‘Do you like the subject?’ she demanded. Her momentary irritation melted and she said: ‘What the hell! We didhave fun. Like in the song.’
‘On the sleigh ride.’
‘Yes — and somebody’s picnic — Trudy James’s. And at Frontenac that — those summers.’
It was the sleigh ride he remembered most and kissing her cool cheeks in the straw in one corner while she laughed up at the cold white stars. The couple next to them had their backs turned and he kissed her little neck and her ears and never her lips.
‘And the Macks’ party where they played post office and I couldn’t go because I had the mumps,’ he said.
‘I don’t remember that.’
‘Oh, you were there. And you were kissed and I was crazy with jealousy like I never have been since.’
‘Funny I don’t remember. Maybe I wanted to forget.’
‘But why?’ he asked in amusement. ‘We were two perfectly innocent kids. Nancy, whenever I talked to my wife about the past, I told her you were the girl I loved almost as much as I loved her. But I think I really loved you just as much. When we moved out of town I carried you like a cannon ball in my insides.’
‘Were you that much — stirred up?’
‘My God, yes! I— ’ He suddenly realized that they were standing just two feet from each other, that he was talking as if he loved her in the present, that she was looking up at him with her lips half-parted and a clouded look in her eyes.
‘Go on,’ she said, ‘I’m ashamed to say — I like it. I didn’t know you were so upset then. I thought it wasme who was upset.’
‘You!’ he exclaimed. ‘Don’t you remember throwing me over at the drugstore.’ He laughed. ‘You stuck out your tongue at me.’
‘I don’t remember at all. It seemed to me you did the throwing over.’ Her hand fell lightly, almost consolingly on his arm. ‘I’ve got a photograph book upstairs I haven’t looked at for years. I’ll dig it out.’
Donald sat for five minutes with two thoughts — first the hopeless impossibility of reconciling what different people remembered about the same event — and secondly that in a frightening way Nancy moved him as a woman as she had moved him as a child. Half an hour had developed an emotion that he had not known since the death of his wife — that he had never hoped to know again.
Side by side on a couch they opened the book between them. Nancy looked at him, smiling and very happy.
‘Oh, this is such fun,’ she said. ‘Such fun that you’re so nice, that you remember me so — beautifully. Let me tell you — I wish I’d known it then! After you’d gone I hated you.’
‘What a pity,’ he said gently.
‘But not now,’ she reassured him, and then impulsively, ‘Kiss and make up — ’
‘ . . . that isn’t being a good wife,’ she said after a minute. ‘I really don’t think I’ve kissed two men since I was married.’
He was excited — but most of all confused. Had he kissed Nancy? or a memory? or this lovely trembly stranger who looked away from him quickly and turned a page of the book?
‘Wait!’ he said. ‘I don’t think I could see a picture for a few seconds.’
‘We won’t do it again. I don’t feel so very calm myself.’
Donald said one of those trivial things that cover so much ground.
‘Wouldn’t it be awful if we fell in love again?’
‘Stop it!’ She laughed, but very breathlessly. ‘It’s all over. It was a moment. A moment I’ll have to forget.’
‘Don’t tell your husband.’
‘Why not? Usually I tell him everything.’
‘It’ll hurt him. Don’t ever tell a man such things.’
‘All right I won’t.’
‘Kiss me once more,’ he said inconsistently, but Nancy had turned a page and was pointing eagerly at a picture.
‘Here’s you,’ she cried. ‘Right away!’
He looked. It was a little boy in shorts standing on a pier with a sailboat in the background.
‘I remember — ’ she laughed triumphantly, ‘ — the very day it was taken. Kitty took it and I stole it from her.’
For a moment Donald failed to recognize himself in the photo — then, bending closer — he failed utterly to recognize himself.
‘That’s not me,’ he said.
‘Oh yes. It was at Frontenac — the summer we — we used to go to the cave.’
‘What cave? I was only three days in Frontenac.’ Again he strained his eyes at the slightly yellowed picture. ‘And that isn’t me. That’s Donald Bowers. We did look rather alike.’
Now she was staring at him — leaning back, seeming to lift away from him.
‘But you’re Donald Bowers!’ she exclaimed; her voice rose a little. ‘No, you’re not. You’re DonaldPlant.’
‘I told you on the phone.’
She was on her feet — her face faintly horrified.
‘Plant! Bowers! I must be crazy. Or it was that drink? I was mixed up a little when I first saw you. Look here! What have I told you?’
He tried for a monkish calm as he turned a page of the book.
‘Nothing at all,’ he said. Pictures that did not include him formed and re-formed before his eyes — Frontenac — a cave— Donald Bowers — ‘You threw me over!’
Nancy spoke from the other side of the room.
‘You’ll never tell this story,’ she said. ‘Stories have a way of getting around.’
‘There isn’t any story,’ he hesitated. But he thought: So she was a bad little girl.
And now suddenly he was filled with wild raging jealousy of little Donald Bowers — he who had banished jealousy from his life forever. In the five steps he took across the room he crushed out twenty years and the existence of Walter Gifford with his stride.
‘Kiss me again, Nancy,’ he said, sinking to one knee beside her chair, putting his hand upon her shoulder. But Nancy strained away.
‘You said you had to catch a plane.’
‘It’s nothing. I can miss it. It’s of no importance.’
‘Please go,’ she said in a cool voice. ‘And please try to imagine how I feel.’
‘But you act as if you don’t remember me,’ he cried, ‘ — as if you don’t remember Donald Plant!’
‘I do. I remember you too . . . But it was all so long ago.’ Her voice grew hard again. ‘The taxi number is Crestwood 8484.’
On his way to the airport Donald shook his head from side to side. He was completely himself now but he could not digest the experience. Only as the plane roared up into the dark sky and its passengers became a different entity from the corporate world below did he draw a parallel from the fact of its flight. For five blinding minutes he had lived like a madman in two worlds at once. He had been a boy of twelve and a man of thirty-two, indissolubly and helplessly commingled.
Donald had lost a good deal, too, in those hours between the planes — but since the second half of life is a long process of getting rid of things, that part of the experience probably didn’t matter.

The Lost Decade



Esquire (December 1939)
All sorts of people came into the offices of the news-weekly and Orrison Brown had all sorts of relations with them. Outside of office hours he was “one of the editors” — during work time he was simply a curly-haired man who a year before had edited the Dartmouth Jack-O-Lantern and was now only too glad to take the undesirable assignments around the office, from straightening out illegible copy to playing call boy without the title.
He had seen this visitor go into the editor’s office — a pale, tall man of forty with blond statuesque hair and a manner that was neither shy nor timid, nor otherworldly like a monk, but something of all three. The name on his card, Louis Trimble, evoked some vague memory, but having nothing to start on, Orrison did not puzzle over it — until a buzzer sounded on his desk, and previous experience warned him that Mr. Trimble was to be his first course at lunch.
“Mr. Trimble — Mr. Brown,” said the Source of all luncheon money. “Orrison — Mr. Trimble’s been away a long time. Or he feels it’s a long time — almost twelve years. Some people would consider themselves lucky to’ve missed the last decade.”
“That’s so,” said Orrison.
“I can’t lunch today,” continued his chief. “Take him to Voisin or 21 or anywhere he’d like. Mr. Trimble feels there’re lots of things he hasn’t seen.”
Trimble demurred politely.
“Oh, I can get around.”
“I know it, old boy. Nobody knew this place like you did once — and if Brown tries to explain the horseless carriage just send him back here to me. And you’ll be back yourself by four, won’t you?”
Orrison got his hat.
“You’ve been away ten years?” he asked while they went down in the elevator.
“They’d begun the Empire State Building,” said Trimble. “What does that add up to?”
“About 1928. But as the chief said, you’ve been lucky to miss a lot.” As a feeler he added, “Probably had more interesting things to look at.”
“Can’t say I have.”
They reached the street and the way Trimble’s face tightened at the roar of traffic made Orrison take one more guess.
“You’ve been out of civilization?”
“In a sense.” The words were spoken in such a measured way that Orrison concluded this man wouldn’t talk unless he wanted to — and simultaneously wondered if he could have possibly spent the thirties in a prison or an insane asylum.
“This is the famous 21,” he said. “Do you think you’d rather eat somewhere else?”
Trimble paused, looking carefully at the brownstone house.
“I can remember when the name 21 got to be famous,” he said, “about the same year as Moriarity’s.” Then he continued almost apologetically, “I thought we might walk up Fifth Avenue about five minutes and eat wherever we happened to be. Some place with young people to look at.”
Orrison gave him a quick glance and once again thought of bars and gray walls and bars; he wondered if his duties included introducing Mr. Trimble to complaisant girls. But Mr. Trimble didn’t look as if that was in his mind — the dominant expression was of absolute and deep-seated curiosity and Orrison attempted to connect the name with Admiral Byrd’s hideout at the South Pole or flyers lost in Brazilian jungles. He was, or he had been, quite a fellow — that was obvious. But the only definite clue to his environment — and to Orrison the clue that led nowhere — was his countryman’s obedience to the traffic lights and his predilection for walking on the side next to the shops and not the street. Once he stopped and gazed into a haberdasher’s window.
“Crêpe ties,” he said. “I haven’t seen one since I left college.”
“Where’d you go?”
“Massachusetts Tech.”
“Great place.”
“I’m going to take a look at it next week. Let’s eat somewhere along here — ” They were in the upper Fifties “ — you choose.”
There was a good restaurant with a little awning just around the corner.
“What do you want to see most?” Orrison asked, as they sat down.
Trimble considered.
“Well — the back of people’s heads,” he suggested. “Their necks — how their heads are joined to their bodies. I’d like to hear what those two little girls are saying to their father. Not exactly what they’re saying but whether the words float or submerge, how their mouths shut when they’ve finished speaking. Just a matter of rhythm — Cole Porter came back to the States in 1928 because he felt that there were new rhythms around.”
Orrison was sure he had his clue now, and with nice delicacy did not pursue it by a millimeter — even suppressing a sudden desire to say there was a fine concert in Carnegie Hall tonight.
“The weight of spoons,” said Trimble, “so light. A little bowl with a stick attached. The cast in that waiter’s eye. I knew him once but he wouldn’t remember me.”
But as they left the restaurant the same waiter looked at Trimble rather puzzled as if he almost knew him. When they were outside Orrison laughed:
“After ten years people will forget.”
“Oh, I had dinner there last May — ” He broke off in an abrupt manner.
It was all kind of nutsy, Orrison decided — and changed himself suddenly into a guide.
“From here you get a good candid focus on Rockefeller Center,” he pointed out with spirit “ — and the Chrysler Building and the Armistead Building, the daddy of all the new ones.”
“The Armistead Building,” Trimble rubber-necked obediently. “Yes — I designed it.”
Orrison shook his head cheerfully — he was used to going out with all kinds of people. But that stuff about having been in the restaurant last May . . .
He paused by the brass entablature in the cornerstone of the building. “Erected 1928,” it said.
Trimble nodded.
“But I was taken drunk that year — every-which-way drunk. So I never saw it before now.”
“Oh.” Orrison hesitated. “Like to go in now?”
“I’ve been in it — lots of times. But I’ve never seen it. And now it isn’t what I want to see. I wouldn’t ever be able to see it now. I simply want to see how people walk and what their clothes and shoes and hats are made of. And their eyes and hands. Would you mind shaking hands with me?”
“Not at all, sir.”
“Thanks. Thanks. That’s very kind. I suppose it looks strange — but people will think we’re saying good-by. I’m going to walk up the avenue for awhile, so we will say good-by. Tell your office I’ll be in at four.”
Orrison looked after him when he started out, half expecting him to turn into a bar. But there was nothing about him that suggested or ever had suggested drink.
“Jesus,” he said to himself. “Drunk for ten years.”
He felt suddenly of the texture of his own coat and then he reached out and pressed his thumb against the granite of the building by his side.


The Lost Decade



Esquire (December 1939)
All sorts of people came into the offices of the news-weekly and Orrison Brown had all sorts of relations with them. Outside of office hours he was “one of the editors” — during work time he was simply a curly-haired man who a year before had edited the Dartmouth Jack-O-Lantern and was now only too glad to take the undesirable assignments around the office, from straightening out illegible copy to playing call boy without the title.
He had seen this visitor go into the editor’s office — a pale, tall man of forty with blond statuesque hair and a manner that was neither shy nor timid, nor otherworldly like a monk, but something of all three. The name on his card, Louis Trimble, evoked some vague memory, but having nothing to start on, Orrison did not puzzle over it — until a buzzer sounded on his desk, and previous experience warned him that Mr. Trimble was to be his first course at lunch.
“Mr. Trimble — Mr. Brown,” said the Source of all luncheon money. “Orrison — Mr. Trimble’s been away a long time. Or he feels it’s a long time — almost twelve years. Some people would consider themselves lucky to’ve missed the last decade.”
“That’s so,” said Orrison.
“I can’t lunch today,” continued his chief. “Take him to Voisin or 21 or anywhere he’d like. Mr. Trimble feels there’re lots of things he hasn’t seen.”
Trimble demurred politely.
“Oh, I can get around.”
“I know it, old boy. Nobody knew this place like you did once — and if Brown tries to explain the horseless carriage just send him back here to me. And you’ll be back yourself by four, won’t you?”
Orrison got his hat.
“You’ve been away ten years?” he asked while they went down in the elevator.
“They’d begun the Empire State Building,” said Trimble. “What does that add up to?”
“About 1928. But as the chief said, you’ve been lucky to miss a lot.” As a feeler he added, “Probably had more interesting things to look at.”
“Can’t say I have.”
They reached the street and the way Trimble’s face tightened at the roar of traffic made Orrison take one more guess.
“You’ve been out of civilization?”
“In a sense.” The words were spoken in such a measured way that Orrison concluded this man wouldn’t talk unless he wanted to — and simultaneously wondered if he could have possibly spent the thirties in a prison or an insane asylum.
“This is the famous 21,” he said. “Do you think you’d rather eat somewhere else?”
Trimble paused, looking carefully at the brownstone house.
“I can remember when the name 21 got to be famous,” he said, “about the same year as Moriarity’s.” Then he continued almost apologetically, “I thought we might walk up Fifth Avenue about five minutes and eat wherever we happened to be. Some place with young people to look at.”
Orrison gave him a quick glance and once again thought of bars and gray walls and bars; he wondered if his duties included introducing Mr. Trimble to complaisant girls. But Mr. Trimble didn’t look as if that was in his mind — the dominant expression was of absolute and deep-seated curiosity and Orrison attempted to connect the name with Admiral Byrd’s hideout at the South Pole or flyers lost in Brazilian jungles. He was, or he had been, quite a fellow — that was obvious. But the only definite clue to his environment — and to Orrison the clue that led nowhere — was his countryman’s obedience to the traffic lights and his predilection for walking on the side next to the shops and not the street. Once he stopped and gazed into a haberdasher’s window.
“Crêpe ties,” he said. “I haven’t seen one since I left college.”
“Where’d you go?”
“Massachusetts Tech.”
“Great place.”
“I’m going to take a look at it next week. Let’s eat somewhere along here — ” They were in the upper Fifties “ — you choose.”
There was a good restaurant with a little awning just around the corner.
“What do you want to see most?” Orrison asked, as they sat down.
Trimble considered.
“Well — the back of people’s heads,” he suggested. “Their necks — how their heads are joined to their bodies. I’d like to hear what those two little girls are saying to their father. Not exactly what they’re saying but whether the words float or submerge, how their mouths shut when they’ve finished speaking. Just a matter of rhythm — Cole Porter came back to the States in 1928 because he felt that there were new rhythms around.”
Orrison was sure he had his clue now, and with nice delicacy did not pursue it by a millimeter — even suppressing a sudden desire to say there was a fine concert in Carnegie Hall tonight.
“The weight of spoons,” said Trimble, “so light. A little bowl with a stick attached. The cast in that waiter’s eye. I knew him once but he wouldn’t remember me.”
But as they left the restaurant the same waiter looked at Trimble rather puzzled as if he almost knew him. When they were outside Orrison laughed:
“After ten years people will forget.”
“Oh, I had dinner there last May — ” He broke off in an abrupt manner.
It was all kind of nutsy, Orrison decided — and changed himself suddenly into a guide.
“From here you get a good candid focus on Rockefeller Center,” he pointed out with spirit “ — and the Chrysler Building and the Armistead Building, the daddy of all the new ones.”
“The Armistead Building,” Trimble rubber-necked obediently. “Yes — I designed it.”
Orrison shook his head cheerfully — he was used to going out with all kinds of people. But that stuff about having been in the restaurant last May . . .
He paused by the brass entablature in the cornerstone of the building. “Erected 1928,” it said.
Trimble nodded.
“But I was taken drunk that year — every-which-way drunk. So I never saw it before now.”
“Oh.” Orrison hesitated. “Like to go in now?”
“I’ve been in it — lots of times. But I’ve never seen it. And now it isn’t what I want to see. I wouldn’t ever be able to see it now. I simply want to see how people walk and what their clothes and shoes and hats are made of. And their eyes and hands. Would you mind shaking hands with me?”
“Not at all, sir.”
“Thanks. Thanks. That’s very kind. I suppose it looks strange — but people will think we’re saying good-by. I’m going to walk up the avenue for awhile, so we will say good-by. Tell your office I’ll be in at four.”
Orrison looked after him when he started out, half expecting him to turn into a bar. But there was nothing about him that suggested or ever had suggested drink.
“Jesus,” he said to himself. “Drunk for ten years.”
He felt suddenly of the texture of his own coat and then he reached out and pressed his thumb against the granite of the building by his side.