LLR Books

The Lake Lure Inn

Any visit to the Lake Lure Inn cannot long avoid two subjects: ghosts and “Dirty Dancing.”
Ghost stories are to be expected in a historic inn known for its period authenticity, especially one built on the shore of a man-made lake that submerged a small town, its church and school intact.
“They say if you’re out on a boat in the middle of the night, you can hear the church bell ringing,” says Patrick Bryant, the inn’s event and catering manager.
The ghost of “Dirty Dancing” star Patrick Swayze has yet to appear at the inn, but guests can stay in the room where the actor slept while the 1987 movie was being filmed nearby.
The Swayze suite, with its extra large Jacuzzi and kitchenette, is a favorite with brides, Bryant said. The inn hosts more than 100 bridal parties a year, many couples choosing to tie the knot in the lakeside gazebo owned by the town.
The inn’s unique character extends well beyond its Hollywood connections and its spirits, with much of its architectural detail intact, the Southeast’s largest collection of music boxes in the lobby and countless other antiques and artworks filling every nook and shelf.
The property’s comforts even attracted F. Scott and Zelda Fitzgerald for a summer, before they relocated to Asheville, where Zelda died. They stayed in a room with a panoramic view of the beach and the cliffs beyond the far shore.
Their suite, like Swayze’s, is now marked with a brass plaque. “I always wondered what he was penning at the writing desk that overlooked the lake,” Bryant said.
Famous guests
The Lake Lure Inn was built in 1927 by visionary developer Lucius Boardman Morse and his partners, who were also instrumental in building the dam that created the lake.
Morse bought the small town of Buffalo — which he emptied and flooded beneath 100 feet of water — and the surrounding lands for about $5,000. The Morse family owned and operated Chimney Rock Park, just up the road, until 2007, when it became a state park.
A wall in the inn remains dedicated to President Franklin D. Roosevelt, who visited twice during World War II, when the facility was dedicated to R&R for returning soldiers. Calvin Coolidge and Emily Post also stayed at the inn, as well as the Fitzgeralds.
In the 1980s, the inn was to have been a filming location for “Dirty Dancing,” but the town of Lake Lure found the story too risqué, so the hotel served only to house the cast and crew.
In addition to its Swayze Suite, there are the Jennifer Grey Suite and two re-created free-standing bungalows, Johnny’s Cabin and Baby’s Bungalow.
Hidden history
Some of the inn’s rich history remains present but invisible — and not just in ghost form.
In 2005, a porte cochere was added to the front of the inn and the former porch was enclosed to create the Moose & Goose lounge and the Powers dining room. The addition covered up the 78-year-old sign over the entrance that declared “Lake Lure Inn, 1927.”
A replica sign was created for the new porte cochere, but “the original moniker is still hiding out” behind the addition, said Patrick Bryant, the inn’s event and catering department manager.
There’s also a tunnel, long closed off but never filled in, that connects the inn to the companion arcade building across a parking lot, where El Lago Mexican restaurant will soon open.
“They used that (tunnel) to transport famous guests from the hotel to the restaurant” of the time, out of the sight of fans, Bryant said.
The inn’s current management is dedicated to keeping its period authenticity above ground.
“We debated for about five minutes a couple of years ago about switching to an electronic key system,” Bryant said.
They decided to stick to old-fashioned metal keys.

‘Great Gatsby’ mansion on Long Island sells

‘Great Gatsby’ mansion on Long Island sells

By Lisa Doll Bruno

Newsday

The Kings Point estate said to have been the inspiration for the West Egg mansion in F. Scott Fitzgerald’s The Great Gatsby has sold, according to a press release by the real estate firm that listed the property.

The price has not yet been made public. Neither has the name of the buyer.

John Handler last owned the home, known as the Brickman estate. Handler was found dead there in 2008; he was 57. His wife, Jennifer Eley-Handler, who was principal pianist for the Long Island Philharmonic, died two years earlier in an accident.

On the market since September 2010, the 20-acre property was most recently listed for $39.5 million. The deal was brokered by Diane Polland, a sales associate in the Great Neck office of Coldwell Banker Residential Brokerage.

Set privately at the tip of the peninsula, the estate is supposed to be the last remaining mid-19th-century North Shore mansion on Long Island. With more than 1,600 feet of waterfront, the property offers panoramic views of the New York City skyline, Long Island Sound and Manhasset Bay. There is a main residence as well as nine other residential buildings.

One of its earliest owners was John Alsop King Jr., the namesake of Kings Point. He hired A.J. Davis to design the stucco mansion, which was built in the early 1850s. In 1913, the estate was sold to Richard Church, heir to Church & Dwight Co., the makers of Arm & Hammer baking soda. It was Church who threw Gatsby-esque summer parties, though it’s unclear whether Fitzgerald was ever a guest.

The grounds feature 60,000 square feet of gardens as well as a koi pond, a pool, a terrace and rolling lawns that encircle the property.

NATIONAL FOSTER CARE MONTH, 2012


The White House

Office of the Press Secretary

For Immediate Release

May 02, 2012

Presidential Proclamation -- National Foster Care Month

NATIONAL FOSTER CARE MONTH, 2012
- - - - - - -
BY THE PRESIDENT OF THE UNITED STATES OF AMERICA

A PROCLAMATION

Childhood is a time for our young people to grow and learn, protected by their families and safe in their homes. But for almost half a million children who are unable to remain at home through no fault of their own, childhood can be a time of sadness, pain, and separation. These children need and deserve safe, loving, and permanent families who can help restore their sense of well-being and give them hope for the future.

During National Foster Care Month, we recognize the promise of America's children and youth in foster care, and we commend the devotion and selflessness of the foster parents who step in to care for them. We also pay tribute to the professionals nationwide who work to improve the safety of our most vulnerable children and assist their families in addressing the issues that brought them into the child welfare system. In communities across America, dedicated men and women -- in schools, faith-based and community organizations, parent and advocacy groups -- volunteer their time as mentors, tutors, and advocates for children in foster care. We all have a role to play in ensuring our children and youth grow up with the rich opportunities and support they need to reach their full potential.

My Administration is committed to increasing positive outcomes for every infant and child in foster care, and to promoting a successful transition to adulthood for older youth. We are working to increase permanency through reunification, adoption, and guardianship; to prevent maltreatment; to reduce rates of re-entry into foster care; and to ensure all qualified caregivers have the opportunity to serve as foster parents. Through the Child and Family Services Improvement and Innovation Act, we are granting States more flexibility in supporting a range of services for children in foster care, including health care and treatment of emotional trauma. And through the Affordable Care Act, beginning in 2014, every State will be required to extend Medicaid coverage up to age 26 for former foster youth.

This year also marks the 100th anniversary of the Children's Bureau, an agency within the Department of Health and Human Services that carries forward a legacy of protecting our Nation's children and strengthening families through programs like the Permanency Innovations Initiative. Over 5 years, this initiative is investing $100 million in new strategies to identify permanent homes for youth in long-term foster care, including more than 100,000 children awaiting adoption, and to reducing time spent in foster care placements.

National Foster Care Month is a time to reflect on the many ways government, social workers, foster families, religious institutions, and others are helping improve the lives of children in foster care, and it also serves as a reminder that we cannot rest until every child has a safe, loving, and permanent home. Together, we give thanks to those individuals from all walks of life who have opened their hearts and their homes to a child, and we rededicate ourselves to ensuring a bright and hopeful future for America's foster youth.

NOW, THEREFORE, I, BARACK OBAMA, President of the United States of America, by virtue of the authority vested in me by the Constitution and the laws of the United States, do hereby proclaim May 2012 as National Foster Care Month. I encourage all Americans to observe this month by dedicating their time, love, and resources to helping youth in foster care, whether by taking time to mentor, lending a hand to a foster family, or taking an active role in their communities.

IN WITNESS WHEREOF, I have hereunto set my hand this second day of May, in the year of our Lord two thousand twelve, and of the Independence of the United States of America the two hundred and thirty-sixth.

BARACK OBAMA


Saloon Secrets




Landmark West, an Upper West Side preservation group, sponsored a talk recently on the Irish bars in the neighborhood by Jef Klein, an historian of bars and the author of a handsome coffee table tome on the subject, "The History and Stories of the Best Bars of New York."

Appropriately enough, the event was held at the Dublin House on West 79th Street, a watering hole with which I'm not entirely unfamiliar. Even those who have never set foot in the place may recognize its welcoming neon harp sign hanging over its front steps.

I couldn't make the lecture but I managed to connect with Ms. Klein last week at the White Horse Tavern. That institution, to the best of my knowledge, wouldn't be considered an Irish bar, but boasts a similar range of refreshments. In the meantime, I picked up a copy of her book and realized we had much to discuss. Irish bars, it turns out, are only a small part of her practice. Among those celebrated on the pages of "Best Bars" are several saloons where I've spent profitable evenings—starting in the tender post-college years and stretching all the way to, well, probably the week before last.

These included the Ear Inn (the sight of a formative date with my future wife); Fanelli Café, one of the last links to the SoHo of old and deserving of National Register of Historic Places recognition (if it hasn't already received it); J.G. Melon, whose burgers warrant similar landmark status; and the Old Town Bar and Restaurant.

Before we convened at the White Horse—another of the bars in the book—I decided to undertake some research on the subject. This consisted mainly of trying to come up with a question or two that would test the depth of Ms. Klein's knowledge.

I believe I managed to think of only one: Did she remember Chumley's? As it turns out, it's also profiled in "Best Bars of New York," but I didn't realize that at the time. For those unfamiliar with the place, which, tragically, closed in 2007 after its chimney collapsed, it was a former speakeasy that managed to retain much of its clandestine, Prohibition-era allure. There was a conventional entrance at 86 Bedford St., but more fun was arriving through a hidden courtyard off Barrow Street.

According to Ms. Klein's research, after Scott and Zelda Fitzgerald's wedding reception, the party moved on to Chumley's, where the couple was rumored to have consummated their marriage at Table 7. I have no idea whether that's true. However, I can testify from my own experience that Chumley's dark recesses lent themselves to misbehavior.

"Were you ever there when they had to change a keg?" Ms. Klein inquired. I can't say I was. Then again, I can't say I wasn't. I undoubtedly had other things on my mind besides the supply chain, just as long as the malted barley and hops stream continued unabated. "They had a trap door in the floor. It was one of the escapes during Prohibition days. So they would keep the kegs down there."

Among the other nuggets of nostalgia the author shared:

• A pistol was found in the chimney at the Ear Inn when the place was renovated.

• The Bridge Café on Water Street is the oldest bar in New York, selling liquor from the site since 1794, even illegally during prohibition.. "Don't tell McSorley's," she said.

• There was a tunnel at the White Horse, apparently just below where Ms. Klein was now sipping a "Lady's Pint" of beer. She explained that during the 19th century the West Village attracted a rougher crowd than it does today; no Magnolia Bakery or Lulu Guinness boutique back then. "The tunnel was not just for the Underground Railroad," she stated. "Most every bar was doing something illegal—stolen goods, hiding somebody on the lam. It wasn't Boulud. In the 1800s outside the White Horse the baby carriages would be four deep after Mass."

While researching her book, Ms. Klein said that she'd visit bars with several standard questions, among them: "What about the box next to the baseball bat?" By that she meant neglected bar-related memorabilia, dating back generations. At one Chelsea tavern, she said, the owner opened the box and found a telegram from his father to his mother announcing that he'd been wounded in World War II.

I was more interested in the baseball bat. "You always keep a baseball bat in case things get busy," Ms. Klein stated delicately. She knows her subject, and her peace-making equipment, having worked 14 years as a bartender, waitress and restaurant union organizer in New York and New Jersey, before turning to bar-themed literature. Her current book project involves New Jersey bar bands of the 1970s.

She boasted that she'd led a successful worker strike in the 1980s after the owner of the New Brunswick restaurant where she was employed tried to pay the busboys in cocaine. "You just can't do that," she explained.

To be honest, as interesting as all this trivia was, I'm not much of a history buff, even a bar history buff. I'm more interested in the recreational here and now. I floated by her my theory that a bar such as Bemelmans at the Carlyle Hotel, one of those detailed in her book, may actually be more economical than someplace like the White Horse or the Dublin Inn. At the latter bars, they serve drinks in thick-sided glasses that create the illusion of plenty but find themselves in urgent need of replenishment after only a few miserly sips. At a respectable hotel bar, on the other hand, they may change $15 or even $20 for a drink, but they typically don't scrimp on the alcohol.

"It's called a rocks glass," Ms. Klein explained of the standard vessel, and former bartender that she is, she didn't sound entirely sympathetic to my cause.

F. Scott Fitzgerald at Princeton



F. Scott Fitzgerald was not a good student. At age sixteen he was expelled from St. Paul's Academy. At seventeen he entered Princeton University after a brief stint at a prep school to get his grades up.
At Princeton he became friends with future critics and writers, Edmund Wilson and John Peale Bishop. He became absorbed in the Triangle Club, Princeton's theater group, the oldest touring collegiate musical comedy troupe in the U.S., and renowned for featuring an all-male kick-line in drag.
Fie! Fie! Fi-Fi! was the first Triangle Club production written by Fitzgerald, a freshman whose book and lyrics were selected for 1914-15 production.
"Fitzgerald was cast in the role of Celeste, but due to his poor grades could not appear in the show and the role went to one of the composers, Dudley Griffin. That did not stop him from having his picture taken as a chorus girl. Being a chorus girl in a Triangle show was by far the sought after role. At a time when co-educational schools were rare, both sexes in a play were portrayed by the available student body. Therefore, it was not unusual to view a Princeton show with men dressed as women" (Ellwood Annaheim, opening remarks to the 1998 Musical Theater Research Project performance of Fie! Fie! Fi! Fi!).
His witty lyrics won high praise.
Fie! Fi! Fi! We're shocked that you are married.
Fie ! Fi! Fi! Your little plan miscarried.
I only did what I thought best,
The place for you is way out West
From manicuring take a rest
For far too long you've tarried
You had to be there.

Fitzgerald was a Junior in the class of 1917. There are at least three photographs of him in the Bric-A-Brac for that year. He's in the center rear of his class photo, one of the few in class not wearing a top hat or bearing a cane. He's also pictured in the Triangle Club, as well as credited with the lyrics for the club’s annual musical Fie! Fie! Fi-Fi (coverage for which takes up several pages), and he's again pictured on the staff of the Princeton Tiger. He is also listed in several other places, including as a member of the Cottage Club, The American Whig Society, and the Minnesota Club. Classmates Edmund Wilson and John Peale Bishop are pictured in the book.


In the The Nassau Herald, Class of Nineteen Hundred and Eighteen, Fitzgerald is mentioned as a member of several clubs, and is pictured in a group photograph of the Board of the Princeton Tiger. Edmund Wilson has a separate class entry.

 

In 1919, the war effort presumably interfered with timely publication of the Bric-A-Brac, and this yearbook seems to cover five classes instead of the traditional four. Fitzgerald was in the Senior Class and sits front, dead center in the class photo. He is also pictured in the Triangle Club, (as well as credited with the lyrics for the club’s musical, Safety First) and as a member of the Board of the Princeton Tiger. He is also listed as a member of the Cottage and Frenau clubs.
Ever the lazy student, Fitzgerald was on academic probation and unlikely to graduate when he left Princeton to enlist in the Army for WWI. Commissioned as a second lieutenant, he was convinced he would not survive the war. The Armistice intervened.