LLR Books

Saloon Secrets




Landmark West, an Upper West Side preservation group, sponsored a talk recently on the Irish bars in the neighborhood by Jef Klein, an historian of bars and the author of a handsome coffee table tome on the subject, "The History and Stories of the Best Bars of New York."

Appropriately enough, the event was held at the Dublin House on West 79th Street, a watering hole with which I'm not entirely unfamiliar. Even those who have never set foot in the place may recognize its welcoming neon harp sign hanging over its front steps.

I couldn't make the lecture but I managed to connect with Ms. Klein last week at the White Horse Tavern. That institution, to the best of my knowledge, wouldn't be considered an Irish bar, but boasts a similar range of refreshments. In the meantime, I picked up a copy of her book and realized we had much to discuss. Irish bars, it turns out, are only a small part of her practice. Among those celebrated on the pages of "Best Bars" are several saloons where I've spent profitable evenings—starting in the tender post-college years and stretching all the way to, well, probably the week before last.

These included the Ear Inn (the sight of a formative date with my future wife); Fanelli Café, one of the last links to the SoHo of old and deserving of National Register of Historic Places recognition (if it hasn't already received it); J.G. Melon, whose burgers warrant similar landmark status; and the Old Town Bar and Restaurant.

Before we convened at the White Horse—another of the bars in the book—I decided to undertake some research on the subject. This consisted mainly of trying to come up with a question or two that would test the depth of Ms. Klein's knowledge.

I believe I managed to think of only one: Did she remember Chumley's? As it turns out, it's also profiled in "Best Bars of New York," but I didn't realize that at the time. For those unfamiliar with the place, which, tragically, closed in 2007 after its chimney collapsed, it was a former speakeasy that managed to retain much of its clandestine, Prohibition-era allure. There was a conventional entrance at 86 Bedford St., but more fun was arriving through a hidden courtyard off Barrow Street.

According to Ms. Klein's research, after Scott and Zelda Fitzgerald's wedding reception, the party moved on to Chumley's, where the couple was rumored to have consummated their marriage at Table 7. I have no idea whether that's true. However, I can testify from my own experience that Chumley's dark recesses lent themselves to misbehavior.

"Were you ever there when they had to change a keg?" Ms. Klein inquired. I can't say I was. Then again, I can't say I wasn't. I undoubtedly had other things on my mind besides the supply chain, just as long as the malted barley and hops stream continued unabated. "They had a trap door in the floor. It was one of the escapes during Prohibition days. So they would keep the kegs down there."

Among the other nuggets of nostalgia the author shared:

• A pistol was found in the chimney at the Ear Inn when the place was renovated.

• The Bridge Café on Water Street is the oldest bar in New York, selling liquor from the site since 1794, even illegally during prohibition.. "Don't tell McSorley's," she said.

• There was a tunnel at the White Horse, apparently just below where Ms. Klein was now sipping a "Lady's Pint" of beer. She explained that during the 19th century the West Village attracted a rougher crowd than it does today; no Magnolia Bakery or Lulu Guinness boutique back then. "The tunnel was not just for the Underground Railroad," she stated. "Most every bar was doing something illegal—stolen goods, hiding somebody on the lam. It wasn't Boulud. In the 1800s outside the White Horse the baby carriages would be four deep after Mass."

While researching her book, Ms. Klein said that she'd visit bars with several standard questions, among them: "What about the box next to the baseball bat?" By that she meant neglected bar-related memorabilia, dating back generations. At one Chelsea tavern, she said, the owner opened the box and found a telegram from his father to his mother announcing that he'd been wounded in World War II.

I was more interested in the baseball bat. "You always keep a baseball bat in case things get busy," Ms. Klein stated delicately. She knows her subject, and her peace-making equipment, having worked 14 years as a bartender, waitress and restaurant union organizer in New York and New Jersey, before turning to bar-themed literature. Her current book project involves New Jersey bar bands of the 1970s.

She boasted that she'd led a successful worker strike in the 1980s after the owner of the New Brunswick restaurant where she was employed tried to pay the busboys in cocaine. "You just can't do that," she explained.

To be honest, as interesting as all this trivia was, I'm not much of a history buff, even a bar history buff. I'm more interested in the recreational here and now. I floated by her my theory that a bar such as Bemelmans at the Carlyle Hotel, one of those detailed in her book, may actually be more economical than someplace like the White Horse or the Dublin Inn. At the latter bars, they serve drinks in thick-sided glasses that create the illusion of plenty but find themselves in urgent need of replenishment after only a few miserly sips. At a respectable hotel bar, on the other hand, they may change $15 or even $20 for a drink, but they typically don't scrimp on the alcohol.

"It's called a rocks glass," Ms. Klein explained of the standard vessel, and former bartender that she is, she didn't sound entirely sympathetic to my cause.

F. Scott Fitzgerald at Princeton



F. Scott Fitzgerald was not a good student. At age sixteen he was expelled from St. Paul's Academy. At seventeen he entered Princeton University after a brief stint at a prep school to get his grades up.
At Princeton he became friends with future critics and writers, Edmund Wilson and John Peale Bishop. He became absorbed in the Triangle Club, Princeton's theater group, the oldest touring collegiate musical comedy troupe in the U.S., and renowned for featuring an all-male kick-line in drag.
Fie! Fie! Fi-Fi! was the first Triangle Club production written by Fitzgerald, a freshman whose book and lyrics were selected for 1914-15 production.
"Fitzgerald was cast in the role of Celeste, but due to his poor grades could not appear in the show and the role went to one of the composers, Dudley Griffin. That did not stop him from having his picture taken as a chorus girl. Being a chorus girl in a Triangle show was by far the sought after role. At a time when co-educational schools were rare, both sexes in a play were portrayed by the available student body. Therefore, it was not unusual to view a Princeton show with men dressed as women" (Ellwood Annaheim, opening remarks to the 1998 Musical Theater Research Project performance of Fie! Fie! Fi! Fi!).
His witty lyrics won high praise.
Fie! Fi! Fi! We're shocked that you are married.
Fie ! Fi! Fi! Your little plan miscarried.
I only did what I thought best,
The place for you is way out West
From manicuring take a rest
For far too long you've tarried
You had to be there.

Fitzgerald was a Junior in the class of 1917. There are at least three photographs of him in the Bric-A-Brac for that year. He's in the center rear of his class photo, one of the few in class not wearing a top hat or bearing a cane. He's also pictured in the Triangle Club, as well as credited with the lyrics for the club’s annual musical Fie! Fie! Fi-Fi (coverage for which takes up several pages), and he's again pictured on the staff of the Princeton Tiger. He is also listed in several other places, including as a member of the Cottage Club, The American Whig Society, and the Minnesota Club. Classmates Edmund Wilson and John Peale Bishop are pictured in the book.


In the The Nassau Herald, Class of Nineteen Hundred and Eighteen, Fitzgerald is mentioned as a member of several clubs, and is pictured in a group photograph of the Board of the Princeton Tiger. Edmund Wilson has a separate class entry.

 

In 1919, the war effort presumably interfered with timely publication of the Bric-A-Brac, and this yearbook seems to cover five classes instead of the traditional four. Fitzgerald was in the Senior Class and sits front, dead center in the class photo. He is also pictured in the Triangle Club, (as well as credited with the lyrics for the club’s musical, Safety First) and as a member of the Board of the Princeton Tiger. He is also listed as a member of the Cottage and Frenau clubs.
Ever the lazy student, Fitzgerald was on academic probation and unlikely to graduate when he left Princeton to enlist in the Army for WWI. Commissioned as a second lieutenant, he was convinced he would not survive the war. The Armistice intervened.

F.Scott quotes





Show me a hero and I will write you a tragedy. – The Crack Up

 I hope she’ll be a fool — that’s the best thing a girl can be in this world, a beautiful little fool.” - The Great Gatsby

I don’t want to repeat my innocence. I want the pleasure of losing it again. – This Side of Paradise

 Cut out all these exclamation points. An exclamation point is like laughing at your own joke. – quoted in Beloved Infidel

I’m not sentimental — I’m as romantic as you are. The idea, you know, is that the sentimental person thinks things will last — the romantic  person has a desperate confidence that they won’t. – This Side of Paradise

 I like people and I like them to like me, but I wear my heart where God put it, on the inside. – The Love of the Last Tycoon

There are only the pursued, the pursuing, the busy and the tired. – The Great Gatsby

Here’s to alcohol, the rose colored glasses of life. – The Beautiful and Damned

I’ll be different, but somewhere lost inside me there’ll always be the person I am tonight. – Magnetism

 New friends can often have a better time together than old friends. – Tender Is the Night

I want to give a really BAD party. I mean it. I want to give a party where there’s a brawl and seductions and people going home with their feelings hurt and women passed out in the cabinet de toilette. You wait and see. – Tender Is the Night

 Youth is like having a big plate of candy. Sentimentalists think they want to be in the pure, simple state they were in before they ate the candy. They don’t. They just want the fun of eating it all over again. – This Side of Paradise

 All life is just a progression toward and then a recession from one phrase– ‘I love you” – The Offshore Pirate

 Today it’s my world and everything’s easy. Even Nothing is easy! - The Beautiful and Damned

While it seemed to him that every debutante spent every hour of her day thinking and talking about what the great world had mapped out for her to do during the next hour, any girl who made a living directly on her prettiness interested him enormously. – The Beautiful and Damned

 You know, you’re a little complicated after all.’ ‘Oh no,’ she assured him hastily. ‘No, I’m not really — I’m just a — I’m just a whole lot of different simple people. – Tender Is the Night

Youth is a dream, a form of chemical madness. – “The Diamond as Big as the Ritz”

 And lastly from that period I remember riding in a taxi one afternoon between very tall buildings under a mauve and rosy sky; I began to bawl because I had everything I wanted and knew I would never be so happy again. – The Crack Up

Love is fragile — she was thinking — but perhaps the pieces are saved, the things that hovered on lips, that might have been said. The new love-words, the tenderness learned, and treasured up for the next lover. – May Day

If you spend your life sparing people’s feelings and feeding their vanity, you get so you can’t distinguish what should be respected in them.” – Tender Is the Night

”I like large parties. They’re so intimate. At small parties there isn’t any privacy- The Great Gatsby

 Grown up, and that is a terribly hard thing to do. It is much easier to skip it and go from one childhood to another. The Crack Up

 Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — tomorrow we will run faster, stretch out our arms farther…. And one fine morning — So we beat on, boats against the current, borne back ceaselessly into the past. - The Great Gatsby


It's the birthday of Zelda Fitzgerald

 born Zelda Sayre in 1900. Her father was a judge in Montgomery, Alabama, and her mother was a nonconformist housewife. Zelda was a wild child, larger than life, and many times she was only saved from disgrace by her family's reputation and social standing. Her childhood friend Eleanor Addison wrote: "By day she was healthy and hoydenish, a veritable dynamo, by night a beautiful enchantress. ... When she commandeered a streetcar and went clanging down Court Street with the befuddled motorman practically hanging on the ropes, the town criers lifted their eyes to the heavens and said, 'disgraceful.' When she danced like an angel in a pink ballet costume at some charity affair, the same town criers murmured, 'beautiful.'"
She met F. Scott Fitzgerald at a dance in 1918, and they were both smitten. She refused to marry him, though, until he published his first book. She assured him that she loved him, and that he shouldn't worry if she flirted with other men a little bit. "Don't you think I was made for you? I feel like you had me ordered -- and I was delivered to you -- to be worn -- I want you to wear me like a watch-chain or button-hole bouquet -- to the world." They married in 1920, and they were the standard-bearers for the Jazz Age: beautiful, glamorous, and free. By the end of the decade, Scott had descended into alcoholism, and Zelda had descended into madness. She had her first schizophrenic breakdown in 1930, and spent the rest of her life in and out of mental institutions. She died in 1948, eight years after her husband, in a fire at the Highland Hospital in Asheville, North Carolina.
Scott Fitzgerald said: "I fell in love with her courage, her sincerity and her flaming self-respect and it's these things I'd believe in even if the whole world indulged in wild suspicions that she wasn't all that she should be. ... I love her and that's the beginning and the end of it."

Great Gatsby Boat Tour on Long Island

By Jason Boog on May 18, 2011 12:23 PM

 “So we beat on, boats against the current, borne back ceaselessly into the past,” wrote F. Scott Fitzgerald in The Great Gatsby. Now you can live that famous metaphor in a two-hour Great Gatsby Boat Tour of Manhasset Bay and Long Island Sound.

Adult tickets cost $25 and tickets for children 10-years-old or younger cost $15. The next tour leaves on Saturday, May 21st at 2 pm. Follow this link for tickets.

“The Great Gatsby was set on “that slender riotous island” otherwise known as Long Island. Join us on a boat tour of the bay that ignited Fitzgerald’s imagination and become familiar with the peninsulas of West Egg (King’s Point) and East Egg (Sand’s Point) … Try to envision where Gatsby’s mansion might have stood and exchange stories of “the roaring twenties” on Long Island – a microcosm of the U.S.’s pre-WWII revolution in manners and morals.

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